The word "iconic" is overused, in my opinion. But it's hard to avoid it when talking about the 1970 New York Knicks, or Madison Square Garden, or "the Willis Reed Game."
May 8, 1970 was the day of Game 7 of the NBA Finals, Los Angeles at New York. The atmosphere was heavy with anxious speculation, since Reed had suffered a bad thigh injury a few days earlier. He couldn't possibly play. Could he?
When Reed emerged from the locker room, in uniform, and limped onto the court for warm-ups, the Garden exploded in cheers. Just by showing up for duty, the Knick captain had galvanized the home crowd and transformed doomy angst into a great hope. After tip-off, on the first possession, Reed sank a jump shot. The Garden was enraptured. Second trip downcourt, same thing. By then the Knicks were flying and the Lakers were chained to the floor. Those four points were all Reed would manage, but Walt Frazier would supply 36, and the rout was on. The Knicks built a 27-point halftime lead, and cruised to the franchise's first championship.
Ray Ratto's obituary at Defector was headlined "Willis Reed Met The Moment."
It’s as big as it is, even still, because Reed always seemed content to let it be what it was; the legend spread as legends used to, by word of mouth and images of his two jumpshots. Reed himself never really said much about it, and he didn't have to. He did the perfect thing at the perfect time when everyone was looking, and then let it speak for itself. The lasting moments are like that.
In 1971 Reed's body seriously started to break down, in a cascading series of leg injuries. This is how I remember him, as a wounded warrior, struggling bravely to summon a ghost of his former self. In this diminished state he helped the Knicks to a second NBA title in 1973.
Writing in the afterglow of the Willis Reed Game, Pete Axthelm lauded Willis as a unifying figure between downtown and uptown, between the glamorous Knicks and the grassroots basketball culture of Harlem and the outer boroughs. Reed pioneered a new style of leadership and of masculinity, in Axthelm's view. This seems a little too grandiose now. A few years later his Knick teammate Bill Bradley wrote more simply that Reed was "the dominant member... the perfect center for our team that year."
Reed was named to the NBA's 50th and 75th anniversary teams. His career numbers are not in the same stratus as those of the very greatest centers: Russell, Chamberlain, Kareem, or Shaq. (Russell loved Willis's game, however, and Willis and the young Kareem had some phenomenal head-to-head battles in the 69-70 season, recounted by Axthelm.) Willis was a fine versatile player, a great team player, the captain of a two-time champion, an honored part of a great hoops ensemble.
Willis was named the Finals MVP in both '70 and '73. In neither year is it obvious from the stats sheet that he was the best player in the series. Notably, in both years, the Knicks vanquished the Lakers, featuring Wilt Chamberlain as Willis's opposite number. One could call these awards to Willis a roundabout compliment to Wilt - if you beat The Man, you must be the man - but it's also a comment on each man's style of play and character. Wilt was a monumental talent but a confounding human being. Wilt's teammates always had to fit themselves around Wilt. Whereas Willis fit himself within the team, and met the moments as they came. Willis would lean on Wilt in the post, draw him away from the basket with the threat of his jump shot, act as a decoy. He didn't thrash Wilt, he outfoxed Wilt. Bill Russell is often remembered as Wilt's great foil, but Willis, even on one good leg, had his own anti-Wilt mojo.
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